So did Fontenrose ( (.)ġCentre and front in Poussin’s La Chasse de Méléagre (1634–8 in the Prado) on a resplendent white horse rides, javelin in hand, the maiden Atalanta ready for the fearsome boar. 3 Fowler (2013, 110) thinks too of an original figure that has become splintered.Exhaustive listing of pictorial art and some surprises (Granville Bantock’s op (.) “The famous footrace, popular with authors since Hesiod, was virtually ign (.)
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